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Historical The Heretic
by Lewis Weinstein
$24.95/goodnewfiction.com/ 2000
Lewis Weinstein's historical novel, The Heretic, deals
with the perscution of Jewish converts to Christianity in Spain
of the mid-15th century, a volatile time leading up to the infamous
Spanish Inquistion during which 300,000 Jewish "heretics" were
ritualistically murdered.
While historical novel ultimately contains few mysteries (since
the outcome is already known), they are invariably full of intrigue
and suspense, and The Heretic is no expection. The story
focuses on the family of Gabriel Catalan, a converso goldsmith
of Seville. Gabriel re-discovers his Jewish roots and, much to
the perplexity of his wife, Pilar, who is also a converted Christian,
participates in "heretical" activities. Gabriel is
soon enlisted by another prominent converso, Don Alonso
Viterbo, to learn the new printing techniques developed by Johannes
Gutenburg, in order to preserve important Hebrew texts.
Melodrama is a staple of the historical novel, and melodramatic
scenes abound in The Heretic, from the prologue in which
Gabriel's converso father, Issac, declares himself a Jew
and is murdered by a frenzied Christian mob, to the very end
of the novel when, awaiting his execution in a prison cell, Gabriel
fulfills his covenant with God by finally circumcising his son,
Tomás, who has secretly come to see him, a scene that
truly stretches the reader's credulity.
One of the more intriguing aspects of the novel involves the
political struggles among the different aspirants to the Castilian
crown. Perhaps the most fully realized (though minor) character
in the novel is the decadent King Enrique, with his big teeth
and bobbing head, the older half-brother of Isabel, the queen
most famous for her sponsorship of Columbus' voyage in 1492 and
the Inquisition (not to mention the explusion of the Jews from
Spain in the same year).
Weinstein shows us Spain's landscape and architecture in breathtaking
detail, and provides meticulous description of the printing process,
Jewish prayer, and other obtuse subjects. His characters tend
to be flat and their responses predictable, but this is not a
novel about characters. For non-Jewish readers, some of the details
about Judaism and Hebrew may be confusing, but they are certainly
central to this exciting and ultimately horrifying novel.
—Charles Rammelkamp
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