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Renaissance
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Adew Dundee
The Baltimore Consort
Dorian Recordings
(DOR 90314)
In their latest recording, The Baltimore Consort
capitalizes on today's rage for Celtic music with their exploration
of the secular music of
Scotland. In 17th and early 18th-century England, "Scotch tunes" were
popular throughout the country, not only in the pubs and theaters, but
also among the aristocracy. This Scotch sound reached a pinnacle of popularity
after the English Restoration with the publications of Playford and D'Urfey's
songbooks. Two songs from these publications can be heard on this CD: "The
Scotch Cuckold" and "Catherine Logy."
Using existing manuscripts of mostly instrumental music that was written
down by 17th-century Scottish aristocrats, this talented consort produces
a pleasing and distinctive-sounding CD. The subtleties written within
the music play out beautifully, thanks to the Consort's expert musicianship
and Dorian's 24-bit process, which keeps the dynamic range of the music
intact.
A good example of the "Scotch snap" (short-long rhythms) can
be heard in the piece "Generall Leslys Goodnight." The music
is beautiful in its simplicity with its laments and woeful rhythms. And
Custer La Rue's clear and emotive singing encompasses the contrasting
sadness and joy of the "Scotch snap" while the instrumentals
provide a rich and colorful accompaniment.
From 16th-century vocal music to the emotional and lovely strains of
the instrumentals, The Baltimore Consort creates Scotch music that is
fresh and original. Just as the various French and English influences
contributed to the transformation of Scotland's Early Music into an art
form, so does this ensemble's expertise and superb musicianship produce
a rich and diverse sound that is uniquely theirs. Their exuberant performances
clearly demonstrate that there is considerably more to Scottish music
then just the bagpipe.
— Ian Rotondi
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